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“When I was little, I would sing in front of the mirror with a hairbrush or my sisters and I would make shows,” Lacey told .As the tight-plaid-sweater-wearing, self-indulgent Gretchen, Lacey’s character perfectly fills out the judge-y high school clique The Plastics. Like so many young stars when the talent-contest TV show dominated programming in the ’80s and early ’90s, Lacey’s young career (she was less than 10 years old at the time, with adorably “poofy” sleeves and bows holding back her hair) first started when she was a finalist on the show.She was already well on her way to achieving what she wanted to be.Over the course of two weeks that seem not all that eventful — yet, in another way, as eventful as any two weeks — we soak up his jokes and his gossip, his habits, his work schedule, his favorite dives, his drinking and chain smoking, the cranky competitive wit of his conversation.It’s as if we weren’t so much watching a movie about him as hanging out with him.Some how he manages to marry all of these forms in his most recent HEARTLESS, including writing the lyrics to the many songs by David Julyou that play such an important role in the unfolding of this visit to the Faust legend.

“He was incredibly charming, very funny and entertaining,” he said.“He loved company and going out, and would sing bawdy songs in bars.” When it came to his art, it was a different matter. That was back in the day when every film biography had to tell a person’s entire life story from soup to nuts.Is it any wonder that those movies skittered through incidents or that they lacked texture and detail?The biopic grew much more artful when it began to focus on single intense chapters of a famous person’s life — like, say, the passing of the 13th Amendment in “Lincoln,” or Brian Wilson’s recording of “Pet Sounds” in “Love & Mercy.” Now, in “Final Portrait,” Stanley Tucci, directing his first film in 10 years, takes the biopic to an even more exquisitely homespun level of miniature close-up.

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